Note . The Documentary 'Pig Feast, Colonialism in Our Time': The Struggle to Defend Indigenous Land was launched in Jayapura on the 6 March and in Auckland 7 March.
The first Australian screening in Sydney is on Friday 13 March at 5PM
Please register for the event here:
It's a documentary about the world's largest deforestation project, taking place in West Papua.
Belinda Lopez will be speaking to filmmakers Victor Mambor and Dandhy Laksono after the screening, which will be held at the Amnesty International office in Sydney at Level 1, 79 Myrtle St, Chippendale.
--------------
A google translate. Original Bahasa link
'Pig Feast, Colonialism in Our Time': The Struggle to Defend Indigenous Land
March 7, 2026 in Politics, Law, and Security Reading Time: 4 mins read
Author: Aida Ulim - Editor: Arjuna Pademme
Pre-launch atmosphere of the investigative documentary film "Pig Feast: Colonialism in Our Time" in Jayapura, Papua, Friday (March 6, 2026) - Jubi/Aida Ulim
Jayapura, Jubi – The investigative documentary film "Pig Feast: Colonialism in Our Time" tells the story of the struggle of indigenous peoples in South Papua Province to defend their customary land from the onslaught of investment.
Pre-launching events for this documentary were held in various regions across Papua, New Zealand, and Australia from March 5, 2026, to March 18, 2026.
In Jayapura City, Papua, Solidaritas Merauke held a pre-launch on Friday (March 6, 2026).
The film, directed by Dandhy Laksono and Cypri Dale, is a collaboration between Jubi Media, Watchdoc, Ekspedisi Indonesia Baru, Pusaka Bentala Rakyat, and Greenpeace Indonesia.
The film "Pesta Babi" captures the dynamics that occur in the southern region of Papua when networks of politicians, investors, the military, and the church confront social movements and indigenous communities defending their customary lands.
Theresia Putri of Greenpeace Indonesia, who was part of the film-making team, said the documentary highlights the struggle of the Marind, Yei, Awyu, and Muyu indigenous peoples who oppose palm oil-based biodiesel projects and sugarcane-based bioethanol designed for vehicle fuel.
"Through these stories, this film depicts the impact of large-scale development projects on customary lands and the living spaces of the Papuan people," said Theresia Putri during the film's pre-launch in Jayapura City on Friday (March 6, 2026).
The film also touches on the broader political context, including issues of separatism and the long history of Indonesian military operations over more than six decades, which are linked to the exploitation of natural resources in Papua.
According to Theresia, the pre-launch aims to bring the film back to the people of Papua before its wider public release.
"The main goal of this activity is to bring the film back to its home, namely Papua, before it is screened widely to the public," she said.
This pre-screening also aims to gather input from the Papuan community, particularly the indigenous communities directly affected by the National Strategic Projects (PSN) depicted in the film.
Theresia Putri explained that the committee provided a space for audiences to provide responses and reflections on the film's content. Audience members wrote down their feedback in notes posted at the screening location.
"These comments from the audience will provide input for the production team and the film's collaborators," he said.
According to Theresia Putri, audience feedback regarding the film's plot will be brought to the production team for discussion with the director and producers.
"We will bring this input to the production team for joint discussion," she said.
She hopes that when the film is released publicly, the content and messages conveyed truly represent the voices, concerns, and experiences of indigenous Papuans who have been directly impacted by various development projects in Papua.
"The official launch of "Pesta Babi: Kolonialisme di Zaman Kita" (Pest of Pigs: Colonialism in Our Time) is planned for next April, although the exact schedule will be announced later by the production team," she said.
She said the film is still in the pre-launch stage in several locations before its official public release.
The pre-launch took place in Mabari Village, Merauke Regency, the capital of South Papua, and will continue in several other locations there.
The production team also held preliminary screenings in New Zealand and Australia.
Cenderawasih University anthropologist Dr. Hanro Lekitoo, commenting at the documentary's pre-launch, stated that the film reflects a new form of colonialism, where the control of indigenous people's living spaces occurs through large-scale development projects.
"This film successfully depicts the realistic living conditions of indigenous people in Papua, especially those facing pressure from various development projects," said Henro Lekitoo.
He also offered input on the film, suggesting it should begin with a pig feast, as the title suggests.
He noted that indigenous groups in Papua, such as the Marind, Yei, and Awyu, have a very close relationship with nature.
Some of them live as gatherers and hunter-gatherers, relying directly on the forest and its surrounding environment for their livelihoods.
According to him, the relationship between Melanesian people and nature is not only economic, but also spiritual and cultural. Nature is seen as part of the relationship with other humans, ancestors, and God.
Therefore, environmental damage not only impacts ecology but also culture and community identity.
"If the forest is lost, people question how they can continue their lives," he said.
Henro Lekitoo stated that environmental damage can trigger leukocide, which is the massive destruction of the environment.
The impact is not limited to nature but also triggers the loss of culture, including language, traditions, local knowledge, and community identity.
If the sago forests, the staple food of indigenous Papuans, are damaged or lost, the community will be forced to rely on external food sources such as rice, which could ultimately lead to dependence on an economic system different from their culture.
Henro Lekitoo continued, land has a very strong political dimension because it is the foundation of community life. He also criticized various development mistakes that have occurred in other regions, such as Kalimantan, which are being repeated in Papua.
"This film should be seen by the wider public, especially students and the younger generation, to gain a more critical understanding of the situation," he said.
This film is expected to raise public awareness about the conditions faced by indigenous peoples in Papua and encourage reflection on the direction of ongoing development.
"Development should bring prosperity to the community, not sacrifice the living space of indigenous peoples and the environment they have protected for generations," he said. (*)
--------------------------
--------------------------------------------------